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Streaming Options!

Most of our shows this season will be available to attend remotely. As show dates approach and the okay to stream is confirmed with the artist, a streaming icon will appear next to that shows listing. Just click to purchase a stream and watch from the couch!

boxoffice
@stoughtonoperahouse.com

381 E. Main St.
Stoughton, WI 53589
608 877-4400
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Asleep at the Wheel (Brennen Leigh opens)--2021

Asleep at the Wheel (Brennen Leigh opens)--2021
Fri & Sat Dec. 3 & 4 @7:30 pm

**PLEASE NOTE: This show has been rescheduled to the following days and dates--
 
Tickets for the First Show (previously scheduled on Thursday) will be honored at the door on FRI. DEC. 3rd, 2021.

Tickets for the Second Show (previously scheduled on Friday) will be honored at the door on SAT. DEC. 4th, 2021.


50 Years of Asleep at the Wheel! Founded in Paw Paw, West Virginia in 1970 by country legend Ray Benson, Asleep at the Wheel holds 10 Grammy awards, 20 studio albums, and 20 singles on the Country Billboard charts. Consistently, Benson has brought the best talents of Western Swing to the stage. Today he sings lead vocals and plays lead guitar alongside Katie Shore (fiddle, vocals), David Sanger (drums), Dennis Ludiker (fiddle, mandolin, vocals), Josh Hoag (bass), Connor Forsyth (piano, vocals), and Flavio Pasquetto (steel guitar). They began with a simple goal: to play and help revive American roots music--50 years later, they’re still going strong!

www.asleepatthewheel.com
 
Brennen Leigh:

Brennen Leigh is an American songwriter, guitar player, mandolin player and singer whose to-the-point storytelling style has elevated her to cult icon status in Europe, Scandinavia, across the United States, South America and the United Kingdom. Her songs have been recorded by Lee Ann Womack, Rodney Crowell, Sunny Sweeney, Charley Crockett, and many others. As renowned for her musicianship as for her writing, it’s easy to see how Leigh caught the ear of greats like Guy Clark, who colorfully endorsed her flatpicking: “Brennen Leigh plays guitar like a motherfucker,” and David Olney, who described her writing as “tender, violent, sentimental, foolish and wise, she is always Brennen. Confident and at ease with herself, without being a jerk about it.”

www.brennenleigh.net
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